Showing posts with label Dogs. Show all posts
Showing posts with label Dogs. Show all posts

Tuesday, February 17, 2009

Top 7 Traumatic Cinematic Experiences

Everyone likes lists, right? Here are my all time most traumatic movie-watching experiences in order of how much psychological damage they caused. You get seven, because I couldn't think of ten. (Damn my resistance to traditional horror film gore.) I'm sure I missed plenty, so please leave a comment with your most mentally injurious viewing experience(s). Childhood traumas don't count; otherwise I would have included Large Marge and the scary T-Rex in the first Land Before Time.

7. Requiem for a Dream
The standard entry for people who started to get into Indie cinema around the time of Pi. Sure Aronofsky's previous film was a little messed up, but nobody was quite prepared for the unending bleakness of Requiem. It's been described as a monster movie where the concept of addiction plays the monster, but it is really just 100 minutes of likable characters making poor decisions and otherwise being boomer-biled on by life. I think the buddy who watched it with me in High School (dating myself terribly here) sput it best when, during the closing credits, he turned to me and asked, "can we watch The Lion King now?"

A strange little Australian movie that will be getting the full Video Updates treatment in the coming weeks, Body Melt is not a particularly coherent or affecting piece of cinema, but it warrants a mention for being the only film that ever made me want to throw up. Gore doesn't usually phase me (I think it's pretty rockin') and I played through Mirror's Edge on a big screen TV with nary a hint of nausea, but during the scene where a man drowns in his own prodigious snot (his anatomy deliquescing, if you will) made me gag a little. Why it is so much worse than eyeball gouging and decapitations, I'll never know.

5. Clockwork Orange with my Mom
For some reason, she thought she had seen it before. I was probably around 15 years old and had no idea what I was in for. Turns out, neither did she. All she could remember were the costumes, so she had probably just seen clips or a parody instead of the actual movie. Awkwardness ensued, but I'm pretty sure we both made it through the whole thing.

Later we went to see Event Horizon in theaters under similarly misguided pretenses. I thought it was awesome; she had nightmares for weeks.

A faux "one long take" movie with a backwards narrative structure, a camera rig that can twirl freely in any direction, rampant use of infrasound, and disturbing undercurrents of homophobia, Irréversible could be one of the most traumatic films ever purely through its art-film pretentiousness. I'm pretty sure Gaspar Noé's intension was for the viewer to viscerally hate him and his movie.

Oh yeah, there is also the little matter of the arm breaking, face smashing, and the infamously excruciating 10-minute, static camera angle rape scene.

To this day, this is the only movie my long suffering wife has refused to sit through. (She did once ask me to stop showing her so many "rape" movies, but, in my defense, there is far more to Straw Dogs than the rape scene.)

It's a simple story of a woman who becomes obsessed with self mutilation. If you watch it, you will probably spend most of the time screaming, "Oh God, what are you doing lady? Stop that! Wait. That's not where that is supposed to go! AAAAAHHHH! That knife isn't clean! No, God No! Don't put it near your eyes! What is wrong with you?!?!?!"

Lots.

Long story: I had just changed colleges, and was getting the lay of the land at the new campus. The film club had a midnight movie series and this semester was exclusively horror films. What I didn't figure out, was that they did not have a regular schedule. (They might have two weeks in a row with showings and then nothing for a few weeks.) After catching a show the last two weeks, I showed up the next Thursday at 11:45 to see what I thought was going to be Rosemary's Baby. How wrong I was. It turns out that I had shown up during the LGBT film festival, and that they had their own midnight movie: Thundercrack! (From the Killdozer! school of punctuating movie titles.)

It's a difficult movie to find, so I may never get around to doing a full write-up, but... wow was that a strange movie to sit through all by your lonesome. Written by
George Kuchar, the patron saint of grainy underground wackiness, the film is ostensibly a comedy with the setup of and old horror film (people forced to take shelter in a creepy house during a thunderstorm), the actual plot is more akin to a zany porno. Basically every combination of characters does the nasty in a variety of ways. It begins with penis pumps and creative uses for zucchinis, moves along through your standard heterosexual couplings, then goes completely off the deep end with gorillas giving hand jobs and full dude-on-dude anal while other characters smoke pipes and performs disturbing monologues.

Funny, but I haven't been quite the same ever since.

Poor, poor Rowf and Snitter. Why is life so cruel? From the makers of the more well known childhood punishment, Watership Down, comes an animated children's film so traumatic that it makes Watership look like a slow day on Sesame Street. Two moderately anthropomorphized dogs (one with the voice of John Hurt) escape from a particularly nasty animal testing facility and have adventures. Unfortunately, their adventures consist mainly of suffering and starvation, with occasional bouts of getting chased by the military, who mistakenly believe the pooches to be carriers of bubonic plague. It doesn't end well.

First of all, this is the only children's cartoon I can think of with an unrated version. Second, it is so. fucking. sad. I don't normally get misty-eyed during movies, but The Plague dogs had me balling like an 8-year-old girl and made me depressed for roughly two weeks. I found myself repeatedly watching the end credits on YouTube, and would get sad at the thought of islands. My wife, similarly traumatized, had to read the original novel (with a somewhat more upbeat deus ex machina type ending) in order to exorcise her cuddly cartoon demons.

I can only imagine the damage this movie could do to its target audience. If you are a child, a dog person, or have even a single empathetic braincell untouched by 21st century cynicism, do not watch this high quality and underappreciated animated film.

I'm sad just thinking about it.

Friday, January 30, 2009

Killer Mutant Mammal Week: Man's Best Friend (1993)

Horror movies, especially the much maligned Slasher, are often guilty of creating memorable villains, then asking the audience to identify with a pack of vacant teenage husks. Who could possibly sit through a Friday the 13th sequel and not end up rooting for Jason. Most of the "actors" could easily be replaced by their Savini designed Mannequin doubles and none of us would notice.

At first it might seem a little embarrassing for the cast of today's Killer Mutant Mammal Movie, Man's Best Friend, to be completely and utterly upstaged by a simple, non-celebrity voiced dog, but after seeing the genetically engineered ultra-pooch in action, there is no shame in ceding him top billing. A handsome Tibetan Mastiff, Max the super dog is both a surprisingly talented actor and probably the coolest canine character this side of Rowf & Snitter. Benji, Old Yeller, Cujo, Marley, Lassie, Dogmeat, Winne-Dixie, and the dog from Fable II aren't fit to sniff Max's (probably enormous) stools.

Contrary to the cover artwork's shameless Terminator cribbing, Max is in no way a robo or cyber-dog, but is in fact a chimeric experiment by mad scientist and ubiquitous genre heavy, Lance Henriksen. He's half cheetah, half jaguar, half chameleon, and yet somehow all dog. When a fashion reporter seeking carrier advancement (Ally Sheedy) breaks into the lab for a scoop, she inadvertently adopts the superdog, who thinks she'll make a totally sweet master, but hates everyone else and will go completely bonkers at the end of a indeterminate ticking clock if his evil creator doesn't give him his doggy mood-meds.


In the meantime, Max gets into all sorts of PG-13 to R rated mischief in order to show off his massive arsenal of canine superpowers. When the neighborhood kids goad him into chasing a cat, he reveals retractable claws, climbs a tree after the feline, and swallows it whole. When a trigger happy mailman sprays him with mace, he rips the guys throat out and hides the body. When he hears the barking of an attractive, un-spayed collie, he breaks into her master's house and makes passionate love to her. (Whether or not this was a consensual act is up in the air. Frankly neither would surprise me; Max is a rebel.) When his new master's boyfriend escapes his wrath and tries to feed him poisoned steak, he chews through the guy's break lines. For Max, this is only the tip of the iceberg.

You has a flavur

Henriksen spends most of the movie looking creepy and sulking around, pausing occasionally to dart someone with his trademark tranq-gun with laser sight. Eventually he figures out who took max, but is beaten to the punch by the police, who are slowly following the trail of bodies. When they try to take him down, Max shows off some of his other abilities, such as somehow knowing what police sirens mean, and being able to run faster than automobiles. The chase is joined by a pair of overeager dog catchers, who fall prey to Max's least probable power yet: invisibility.

Click for Doggy Detail

All right, now the filmmakers are just pulling things out of their ass; why bother giving him the power to turn invisible if he's only going to use it in one scene that involves no other main characters and has no bearing on the plot. Also, last time I checked, chameleons could change the color of their scales, not turn invisible Predator style. (Maybe splicing "ability" genes from random animals into a dog without somehow turning it into a helpless abomination that can only prey for death causes said genes to amplify.)

I can getz mah dik wet?

While I'm making jokes at the expense of director John Lafia's vague idea of how Science! works, (apparently it gives animals magic powers, makes them mean, and occasionally blinds people) what animal did they steal genes from in order to give Max his most awesome (and arguably least useful) power yet: Acid Pee!

You can just barely make out the smoke

Does he always pee acid, or can he turn it on and off? How strong is the acid? Does he have a separate organ for acidifying his pee, or is it a byproduct of his mutant digestive system? Is there a specific type of grass I can plant in my yard in case my dog develops the ability to pee acid? The mind just reels.

3-Star Wanted Level

Eventually there is a showdown between Max and his creator, as well as a game of cat and mouse between him and his new master (he forgives her in the end), but by now the movie has run out of ideas and things are pretty rote. How it ran out of ideas is a mystery, as it is obvious that the director was just asking his 11-year-old nephew to think of powers and activities for Max. (Maybe it was passed his bedtime at that point.)

Ur mace iz delishus

Near the end of Man's Best Friend, as Max finally turns on the heroine, an attempt is made to divest him from the audience's sympathies. A seedy junkyard proprietor (William Sanderson, minus his brothers Darryl), in an attempt to turn Max into vicious guard dog, gives his face what-for with an acetylene torch before being promptly mauled. Now partially abjected, Max can be a true villain for a minute before his inevitable redemption. (Also, T2 style half-messed-up faces were all the rage in the early '90s)


The problem is that the viewer just spent an hour slowly learning the extent of Max's total badassery. It's going to take a lot more than monster makeup before I stop yelling "Go for the throat, Max!" at my TV. Of course he has to die in the end, but if there is anything John Lafia cannot resist in his movies, it's an easy setup for a sequel.


Max's Powers:
1. Super Strength
2. Super Speed
3. Retractable Climbing Claws
4. Enhanced Senses
5. Invisibility
6. Can swallow a housecat whole
7. Knows more about cars than I do
8. Adorability
9. High Sperm Count
10. Can go from wet to dry instantaneously
11. Acid Pee!!

Max's Weaknesses:
1. Jealousy
2. He has the crazy
3. Close range shotgun blasts to the face

I can has mah paychex?

That Son of Man's Best Friend never got made is a downright crime against B-moviedom. Also, I really, really want a Tibetan Mastiff now.


Check back tomorrow for a much larger Killer Mutant Mammal from a much larger director.